My visual language is shaped by a dialogue between India’s rich artistic heritage and global printmaking traditions. Early training at Chandigarh and Jamia Millia Islamia grounded me in classical painting techniques, while years of teaching at Maharshi Dayanand University keep my work energized by youthful inquiry. International residencies and workshops have been pivotal in expanding my aesthetic vocabulary:
- Guanlan
International Print Biennial (China)
- Tidaholm
Lithography Academy (Sweden)
- La Ceiba
Gráfica Print Studio (Mexico)
- Tamarind
Institute (New Mexico, USA)
- Awagami
Printmaking Workshops (Tokushima, Japan)
- Collaborative
studio exchanges in Italy and Germany
Each experience deepened my understanding of regional materials, from Japanese washi to Swedish limestone, and introduced new approaches to composition, surface, and scale.
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